Social Media Fresh Meat

As much it is the hype and norm around the world, Australian companies and brands are still flirting with social media like an awkward 14 year old prepubescent boy. This behaviour has got us labelled 'fresh meat'. International ‘social media and viral’ agencies are flocking in from UK and US selling ‘seeding’ capabilities dressed up with ‘relationship with bloggers, twitterers, youtubers and internet influencers’ and 'guaranteed eyeballs' in a bid to get more business.

I know for a fact, the real influencers would never sell their credibility like what these guys are saying unless they are Kim Kardashian or truly believe a brand and have a connection with them. Online cred is EVERYTHING. We have an opportunity to do something fresh but I'm afraid time is running out as as agencies buy into these 'viral specialist' services. Sometimes, these appear to be value-adding the possible reality is that a brand just looks like a wannabe when their content is disseminated this way (bought placement). There are many contributing factors to why they might employ these services - crap content, actually, that's it, crap content.

True 'viral'has no other formula than AWESOME! (content). Brands that invest heavily into 'seeding' services should just invest heavily into creating emotional, creative and fun ideas. Aim to do something no one has ever seen before rather than making mediocre crap and paying loads of cash to make sure it is spammed out like herpes. I'm certinly not saying disregard these services completely, rather just use them when you need to such as when launching it in the first 2 weeks but not rely on it or make it the centre piece for your strategy.

P.S. I saw this video, and it just reminds me how my profession is currently being perceived... It makes me sad because I just love everything digital and will do anything to protect user experience (that's probably why we get rejected all the time). I'm not blaming anyone because at the end of the day everyone has to somehow make a living, but it just reflects what careless 'eyeball' driven social media tactics or 'apparent' strategy can do to both brands and socail media strategists.

When A Brand Grows Balls

I guess this has set standard for commercial projections for brands in the future.

Everyone knows that creative agencies didn't come up with the idea of 'building projections'... it's the guerilla street artists. It always kind of bothers me that a medium such as this is used commercially. Knowing that in the first place it's all about making a statement and sticking the finger up in the air. I hope brands that use this medium will take on a bit of that rebellious DNA - edgey, brave, design to raise eyebrows and entertain.

This projection has certainly carry some of that spirit through. No judgement, I'm just a bit impressed



On a separate note, a brand that is usually associated with prestige, too out of reach and somewhat a bit of a wank… has just repositioned itself to appeal and ‘fun’. It’s a 180 for a bulky brand with an engraved image. This is the thing, kudos to BMW for having the balls to try something different to ‘traditional’ (let’s go nuts with slapping our logo and photos on every printable surface possible). And look at this video I just embedded, somewhat this great idea has disseminated with little effort… damn! Love it.

Logorama - Movie made of Logos

Logorama from Marc Altshuler - Human Music on Vimeo.

For some reason I'm being pointed towards everything branding, logo design and print today. It's making me depressed.

Heart then Pocket - When Advertising holds your Emotion Hostage

I've been contemplating why I post TV ads up and not print, or outdoor? Then, I stumble upon this ad and I realised, nothing can ever replace TV ads and this is one of the reasons why. (Don't get me wrong, there are some print ads I like, I'll post them later).

Nothing can tell a story better than motion pictures - the speed of which the camera moves and zoom to focus; the clever transition; the music setting the mood; the furniture describing an era and the short period of time that we get to spend with the character commands our attention and hooks in our intrigue. The one minute and 30 seconds of footage of a lifetime behaves just like the way we see the everyday - in movements, rhythm and objects that subtly connects us with a familiar moment and subsequently a set of emotions.

We know that when humans are emotionally influenced, our memory either solidifies the experience into an inescapable reminder or completely fails and blanks out. In this case they've got us where they want us, emotionally wrenched. The result is...

Mumbrella: Created by UK agency Adam & Eve for department store John Lewis, the retailer says that the ad – which features a reworking of Billy Joel’s Always A Woman To Me soundtracking a woman’s life story – has resulted in an astonishing 39.7% leap in sales.

Get their hearts then their pockets. (haha)

Putting that aside, you know I only post good stuff on here. This ad worth sharing simply because of its beauty, heartfelt storytelling and where it transports the viewer. A life we've never lived yet it is so familiar. We all grow up, live, love, and grow old - a fact that no one can escape from. An ad with something that half of the population can relate to and executed well.

The quote that comes to mind when I watch is 'life is flicker between two great silences' - ahh citing this always puts me into an urgent rush to get things done, cherish the tiniest details and appreciate every breath. Who knew advertising can get so zen.

Anyway, enjoy this find. Until next time.

Richard St. John's 8 Secrets of Success

Ahhh too true. I love TED. A little lunch break inspiration never hurt nobody.

Nashville Flooding

It's amazing how something so graceful can be on an event that so disasterous. If you're reading this and would like to help, please go to: http://www.nashvilleredcross.org

Alot people complain about the video camera shaking, personally, I think it added to the realism of the situation.

Inspiration for the Day

by Carlos Lascano